
Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings, old-master landscapes, short bursts of ‘real-time’ landscapes and shakily photographed gestural watercolors. … ‘a synthesis of all previous techniques.’
Director
Robert Breer
Release Date
December 31, 1957
Runtime
0h 8m
Status
Released
Original Language
en
Vote Count
15