An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.
Director
Tomislav Gotovac
Writers
Tomislav Gotovac
Release Date
January 1, 1977
Runtime
0h 44m
Status
Released
Original Language
sh
Centar za multimedijalna istraživanja
Studentski Centar Sveučilišta u Zagrebu